Momentary pieces of the Eternal Now.
We are instances of existence, whose quiet insistence
Demand the degradation of the Mystery of which we are made.
We are blind to the maelstrom of matter and time,
To the galaxies of particles and energy of which we are comprised,
To the limitlessness of this swirl of heat and planets and light.
We are so unimaginably enormous, and so invisibly miniscule.
I never knew what I was supposed to learn until it was too late, and I’ve had to learn everything just after I needed it. It seems that this is the way life works. We are placed in a position to learn to fill it, and we are tested to teach us what we were supposed to have known.
I never knew I’d struggle against myself so hard. I never knew my own sin. I thought that sins were things that we did…things like smoking and drinking and sex and cussing. In Sunday school we would occasionally be asked to examine ourselves, to verify our own sinfulness. I’d go through my life and assess my sins, looking for things like drugs or violence against others or blatant disrespect. It seemed far too foreign to me to suspect myself of being capable of having sex or drinking alcohol or sharing needles or whatever else we were told we’d be tempted by. I’d look around my life looking for dirty spots, and usually I’d satisfy my own need for guilt by telling myself that surely I was guilty of the pride that comes with thinking oneself otherwise sinless.
I can’t remember if I wasn’t told the truth or if I simply couldn’t hear it. I don’t remember hearing that I’d have far more grievous things to deal with, things more sinister and far more addictive than opiates or sensuality. I don’t remember hearing that my heart would yearn for everything it thought might heal it, and that it would drive me insane with the fruitlessness of my search. I’d been told that one day I might find myself tempted to wallow in filth and the vileness we saw in rated R movies, and I learned that going to church regularly and reading my Bible every day would prevent me from these sins that would ensnare the less religious. And I learned that this idea always ought to be followed by a footnote explaining that my faith and God’s grace were really what was saving me, even if it didn’t seem that way.
I can’t remember being told how I’d have to wrestle with myself, how I’d fight--my mind against my heart and my heart always winning. I can’t remember being told that I’d need so desperately…that the very same madness that drove evil people to kill and hate and be vile would afflict me just the same, and would drive me to tear myself apart at every failure, every personal slight, every time I’m not loved in the way that I know I need but I’m not sure I deserve.
I never knew I’d have to learn to turn this engine of desperation, love, and need heavenward, or that there was even Someone who was supposed to make it run. I never knew I’d be driven by it to begin with. I guess life was too simple for that much need back then. I walk through life every day and see all these people who are driven by the same thing, and maybe they don’t look at themselves closely enough to even know what they are doing. They’ll fuel it with little earthly things that can get them through a day, and I suppose maybe that works. It works like the Greek myth of Tantalus, who was punished by being made to forever stand in a pool of water under the branches of a fruit tree, and the water would recede whenever he bent down to drink, and the branches lifted every time he reached for a fruit. And so many of us live, ever bending to drink water that we cannot get, reaching for fruit that is just beyond our grasp. Too many of us content ourselves in the pursuit of these unattainable satisfactions, and that hope--- the hope of one day achieving what we secretly know we cannot reach--forms the motivation that carries us one day at a time until our days are spent.
I never knew that my intentions could feel so innocent and my actions seem so normal, while my heart could struggle so desperately. I didn’t know it could look like waiting for a phone call from a friend, like opening a birthday present, like a hug or several words spoken in kindness. It can be a fragile secret, shared in confidence. It can be the desire to be trusted or needed. I had no idea that my desperation could seek to be satisfied by such good and pure things as true friendships or honest pursuits; and that these things, as the objects of my affections, would distort into sources of pain and discontent when they inevitably fail to be everything I need.
I never knew that each thing I thought I needed from people, I really needed from God. I had no idea that this truth would be so all-inclusive. Each thing I think I need from people, I really need it from God. I didn’t know that this truth is most important when it seems most impractical—in those moments where God and his love seem to be the last thing that could solve the situation. Where you are tempted to feel, This is real life. This is not the time to talk about vague theological concepts like love and grace and God. This is here and now, what I need and what I’m not getting. Save God for when times are good, after I get this settled, that is when this truth is most vital. I didn’t know God was supposed to meet my needs every day.
But most importantly, I didn’t know that salvation came so quickly. I didn’t know that an understanding of God’s perfect love for me could set everything aright so fast. All it takes is for me to remember that God loves me. GOD loves me. God LOVES me. God loves ME. His heart aches when mine does. His soul glories in my joy. He waits for me to call, and calls when I need to be needed. He pursued me in my worthlessness and gave me value. Not some value, as all earthly values are. Not comparable value, or measurable worth, but infinite value. To be wanted by God is to be more than perfectly esteemed, for what can perfection want but something more than perfection? I am far more than OK. Far better than enough. The most beautiful part of this whole thing is this: that the deeper my need and the hungrier my desperation, the greater the joy in it’s fulfillment. What infinite joy is mine, that so desperate a person should be faced with such a source of infinite satisfaction! I am like a starving man who is seated at a feast who is blessed to forever desire for what sits right in front of him, and to endlessly be satisfied by what he desires most.
I manufacture my own personal tragedies. My mind, like a prosecutor before a judge, builds a case against myself, as if I wanted to be weighed in the balance and find myself lacking. I remember when I was about 15 or 16 years old, lying in my bed at night, recounting the day. I would weigh my social successes against my failures-- did someone think I was funny today? One point. Did I say something stupid? Subtract one. Did someone else seem interested in me? Add a point. It wasn’t actually a literal point system, but I would essentially stack up my pros against my cons for the day, and that was how I determined if it was a good day or not. That was how I decided whether or not the day had been worth the effort.
Now I know these things are meaningless. When I come to the end, and I’m looking back over the years of my life, these stupid questions will seem so ridiculous. Standing on the edge of life and whatever comes next, these social games and little systems for determining worth will seem so frail and empty.
But I still do this. I still continue my case against myself. I look around me and find that I’m incredibly unspectacular. I can specifically pick up each aspect of my person, examine it, and determine it unsatisfactory. I can do that right now: I speak some Spanish, but I have friends who do it much better. Plus, having spent so much time away from Mexico, I’m losing my accent and fluency. I play the guitar, but nowhere near as well as my roommate Jonathan or my 15 or so other friends who play (and sing) much better than I do. I look in the mirror and see a body and a face that doesn’t reflect who I am. In this game of comparisons, I always fall short of someone else. I’d like to think of myself as a gifted writer, but I reread my own work and it always sounds childish and overwrought. I read Faulkner or Steinbeck and realize that I could never write on the level of those authors I admire. I sometimes have a sense of humor, sometimes seem interesting, sometimes seem intelligent. But every little victory I ever win feels so slight, and every failure is so devastating in this game of who thinks I’m valuable. Who can ever win in this contest where the bar is set at perfection?
Most of us will spend our lives fashioning an idol, an icon created to commemorate ourselves. We’ll shape it and shine it, build it up and support it and tell all our friends about it. We hope that by the end of our lives, we’ve studied enough so that our self-idols are smart enough, we’ve lived and thought enough so that they are wise enough, exercised until they are strong, practiced wit until they are liked, worked until they are rich. But could it ever be enough?
What a hunger we all feel! Do you feel it? I think it may drive everything we do. I think every goal that is scored, test that is passed, every cigarette smoked or girl kissed, I think this need to prove to ourselves and to others that we are valuable can drive everything we do. We are such desperate people.
And so what is it? What is the satisfaction to this hunger? If I say that our hunger is simply a craving for someone to recognize the value inherent to our souls, then I think I am simply saying our hunger is for Love. After all, isn’t that what love is-- two people who wordlessly feel the value of the other? It’s a feeling like Faith; a somewhat irrational belief that there is value and kinship there in some other person. That beneath the mess of skin and bones and personality and thoughts there lies a soul very much like our own. All of this is almost too delicate to say. What is the stuff of that blind Faith which is Love? What is the name of that mysterious substance that we crave? Maybe it is far more accurate to leave it nameless. Haven’t I described it already? It is that Faith, and it is Love. It is the Mystery and it is Good. It is the Meaning that would fill our lives, the perfect thing that our idols imitate.
1 John 4:8
Like fireflies in plankton skies that glow under soft moon’s crescent,
They wake to light the silent sands—the waves break incandescent.
What place is this? Here in the stars, like galaxies and crashing cars;
Collide and crash, we burst aflame—we light the night, then dark again.
We burn aloud, fill void with sound; fill space with joy and life and pain.
Distill the tears of heaven’s joy to turn the curse that fills the world
It poisons that which damns the earth and brings to life a baby girl.
June
By Evan
Altes
.I.
One of the
most amazing things I can think is the infinite number
of worlds that surrounds us. That’s why there will
always be more stories to tell. It’s all a matter of
how close you look, how closely you focus your lens.
There is the world of business, of governments and
wars. There is another world in a family, another in an
anthill, a dozen more in a tide pool. A small town is a
world of its own with distinct players and rules. On
this hot, late spring afternoon, June sat in a rough
wooden chair on a dock that began on the hard grass and
broken shell sand and went out over the brown water of
Rose Bay. She was watching the world of the salt marsh.
June Williams was not a deep thinker and had anything
but refined thoughts, but she stared wisely at the
world of fiddler crabs rolling balls of muck outside
their holes, listening to their small, hard bodies
click and rustle with movement. She watched a large one
with a big, mean claw and blue and red face threatening
inferior specimens away from his hole, menacing
powerfully with his unwieldy weapon. She thought of his
pride that he might take in his claw. She wondered if
the others felt fear or respect for him. Or why they
waded into the water and what it was they plucked with
the smaller, more useful pincher and chewed on while
their vacant, lidless eyes stared straight ahead. They
scurried among forests of marsh grasses and reeds. One
paused under the full fronds of a glasswort before
diving into its hole, only to emerge again for a moment
and then back into the darkness. What inspired these
creatures to act and move the way they did, she
thought. Eating, I guess.
She looked up and saw the sun settling into the clouds
above Rose Bay. She saw little threads that ran through
all things, and sometimes she couldn’t see differences
between them that would be plain as day to anyone else.
For example, she saw fish and birds as nearly the same
thing. Feathers are like scales, fins are like wings.
Birds swim in the air, fish fly in the water. Sometimes
she forgot that fish and birds are two different
things. As she watched the sun and the clouds, she saw
some more of those little invisible threads between
things; she almost forgot that clouds weren’t just big
islands in the sky. Rose Bay isn’t so different than
the sky, both reflected in each other. And likewise,
clouds weren’t so different from islands. When the sun
starts getting low like it was and it starts burning up
the sky with red and orange, it gets to looking quite a
bit more like the bay, which also burns orange. The
islands are dark spots in the flames, just like the
clouds. The only difference is a horizon that draws a
halfway line between the two. It’s about this time that
the glass minnows ruffle the surface of the water in
little pods all around and the little biting flies
swarm around the bank and land on June’s face. She
picked up her big, fake-straw hat and used it to fan
the little gnats away from her face.
At that moment, the cork bobbed as some submarine
creature tested the baited hook, and June’s hands went
to the cane pole that was lying on the wood of the
dock. Her heartbeat quickened a little, even though she
knew it was nothing good. A snapper takes the bait with
confidence and rage, nearly tearing off its lips in its
fury. A pinfish will try it a couple times, then put up
a pitiful struggle before allowing itself to be lifted
out of the water. A sheepshead, which is what June
expected and hoped for, touches and tests the bait as
delicately as a surgeon prepares for a surgery, and
usually finds some way to slip the bait off the hook
without June even noticing. She watched the ripples
spread and then fade as the cork settled back into its
undisturbed state. Might have even been a crab pulling
on the dead shrimp, June thought. She remembered the
crab trap and pulling herself out of her little wooden
chair, she walked to the dock, went to the side, and
pulled up the wire trap. She saw a big one still
outside the trap, clinging to the side as she pulled it
up and a little one inside, so she let it back down to
give the crab more time to find the entrance.
Funny
how they trap themselves, she
thought. Just
crawl right in there and can’t figure out how to get
back out. June didn’t
feel sorry for them, though. Blue crabs are the
angriest, meanest, most irritable creatures on earth.
They are all bad, the entire race of them. June had no
vein of cruelty running through her, but she never felt
bad about tossing one of those obstinately irascible
devils into a pot of boiling water.
She settled back into her little chair to watch the
cork and think again. It wasn’t fishing that June
enjoyed so much as just thinking about things, and when
you fish you are forced to think about things.
Sometimes she repeated words over and over in her head,
thousands and thousands of times, singing them in her
mind, then saying them quietly, then speaking them to
somebody else, but always the same string of words,
over and over. She didn’t like that so much, but
sometimes it happens and it’s really hard to stop once
you start it.
June’s eyes settled on a marble that lay caught between
two boards on the dock. It was amber colored and
perfect, like a little jewel pulled up from the waters
of Rose Bay that carried its tint, brown as fine
whiskey. There are not many things in the world that
are perfect, but that marble was one of them. Caleb,
her son, probably lost it there on the dock and never
got it out. June leaned over in her chair and broke a
splinter off the edge of the dock, using it to pull the
marble out of the crack. Picking it up, she
thought, I could
be happy if this was the only thing I had. The only
thing in the world. Because it
was perfect indeed; round and clear, solid and sure.
She held it up and squinted at the bay through it,
wrinkling up her face in the attempt. When her eyes
focused on it through her glasses, she saw the bay
upside down. The water was where the sky was supposed
to be, and the clouds found themselves on the bottom,
and everything cast in that delicious amber brown. She
was sure she could be satisfied with nothing else in
the world but that little marble, because when you have
something perfect what else could you want? Her mind
continued in that train of thought. What if there was a
place where everyone, when you were born, received one
marble and that was all the money you ever got. That
marble was what you would use for monetary exchanges
for the rest of your life. It would be a strange
community, no doubt, but I wonder if it would be
better? One man would catch fish, and if someone wanted
a fish, they’d give him their marble and he’d give them
the fish. Of course, if he already had a marble then
he’d just give them the fish, saying, “Thank you, but I
already have one. Thanks anyway.” And another woman
would garden leeks, and if one wished to make a soup,
you’d go to that lady and give her your marble and
she’d give you some leeks, saying, “Oh this is
wonderful. You see, I gave my marble away this morning
for a handful of licorice sticks at the post office.
You know how fond the General is of his licorice.” And
if you had want of a thing, you need but give up your
marble for it. And if someone wished something of you,
a single marble would be all the payment you could
want. And if you already had a marble, then you’d do it
anyway because one marble as much anyone would ever
need, being priceless as they’d be.
She put it away in the oversized mesh bag beside her
chair which served as a purse. By the sun, June guessed
that Isaiah and Caleb would be getting home soon. She
leaned forward and turned her head back towards the
house, her eyes following the dirt path into the live
oaks and palmettos that hid the house just out of view.
No sign of their arrival yet. Besides,
the dog would of barked or
something, she
thought. June used the rail that made a side on the
dock to pull herself out of the chair, and collecting
her mesh bag and the bucket of the day’s snappers,
pinfish, and angry blue crabs she started back to the
house to get dinner started.
.II.
Where
does the air come from? When you
boil water, big pockets of air collect from somewhere
the pot and bubble to the top in a burst of steam.
Where does the air come from? When you heat up water,
apparently some of it turns to air. But if
you were half an inch tall and
submersible, June
wondered, what
would it look like down there at the bottom of that
pot? Maybe you
would look around the bottom edge and you’d see water
lift off the sides, bending light in a swirl of heat
and air, and it would fly off the bottom and shoot
towards the top, and it would do this all over the
place. Surely it would be nothing short of frightful to
watch the seething and exploding from inside it.
June slid the boiling pot over to the side of the
charred stovetop so the water wouldn’t boil so strong
and added a few spices for the crabs. The boiling
slowed, and the size of the bubbles flying towards the
surface became smaller, about pea-sized. The steam
rising off the water carried the scent of the cayenne
pepper, bay leaves, lemon, and various other
ingredients with it. She had learned this recipe from
her grandmother Janice who came to Florida all the way
from Louisiana. Janice and her husband Jonathan were
both second-generation emancipated slaves, and their
parents had both belonged to the same wealthy
politician. This politician had a predilection for
smoking opium while Jonathan’s father played sad songs
on the fiddle, and in this way they had built a more
informal relationship than was common between slaves
and slave-owners. As this was the case, when Jonathan’s
parents found themselves emancipated by order of the
federal government, the politician gave them a large
and expensive piece of property near his own. Jonathan
inherited the property when both parents expired in a
barn-fire, and he promptly married Janice, sold the
land, and moved himself and his newly-wed wife to
Florida. June remembered her grandmother from this
smell, the smell that was tied up in the steam that
swirled towards the gray wooden rafters of the house.
Something punched the window the next room over, and
the window rattled in its pane from the impact. June’s
eyes reacted quickly enough to glimpse a little bird
drop form view. Oh Lord
no, she
whispered. They
always do that. I hate it when they do
this. June
hurried to the window, pushing a dining room chair out
of her way she could get to the window. The dove was
squirming painfully down in the grass below her
window. Can’t
they figure it out? Lord I
hate it when they do this. The glass
was dark and shiny and had the wooden frame right
through the middle; it was easy to see. There was even
a white curtain that hung down right inside the window.
The dove picked itself up lamely and flew painfully to
a nearby pine. It
hurts me every time they do this. Why can’t they
learn? Last time,
the dove had broken its neck on the window. It broke
its own neck! How can a thing kill itself? Doesn’t life
beget life? How can something alive bring itself to
death? It is a matter of life and death, that the doves
learn to see the window; why can’t they learn?
If I
could tell them, I would. June’s
eyes were filled with pain. She wished she could
explain the danger, what glass is, and what it’s for,
and how to see windows. That was the hardest part, that
she had to sit behind the glass and watch them break
their necks on it, and there was nothing she could do
to make them stop. She wished she could open the window
and shout to those doves that they are just killing
themselves and ought to be careful what things they
throw themselves at so confidently. She wished she
would never again have to look down and see that mess
of awkward brown and cream-colored wings and black
spots writhing in the grass. I’d
save them if I could. I’d save each one if it was my
place, thought
June.
She stepped back over to the stove and looked at the
steam rising of the turbulent water. Isaiah and Caleb
should be home soon.
.III.
How
long have I been waiting? Time gets
expanded when you are waiting on it to pass. June sat
in the quiet house next to the front window. She held
as still as she could so her wooden chair wouldn’t
creak and break the silence. It’s a frightful thing to
break a perfect silence, and June felt this. And
tonight was one of those silences. It was sometime in
the very early morning, when all the crickets and frogs
and cicadas had gone to sleep, and even the wind had
stilled. Half of a moon lit the sky blue in an opening
in the trees outside the window, and pale light fell
through the window onto the wood floor at June’s feet.
Quietly, June waited in the darkness. She watched
patiently out the window, sometimes counting down from
ten in her mind, sometimes searching the sky for a hint
of morning.
So much of life is like this. Life is a watched pot
that just won’t boil. It’s an interminable night with a
morning that just won’t come. It’s the dark figure of a
loved one that just won’t appear around the bend.
The clock on the mantle had stopped at some point
earlier that night. When you wait for time to pass and
you speed it with your will, it resists--or so it
seems. It slows until it only creeps along, and then it
stops altogether. The ticking clock had measured
seconds in with a solid acoustic click that gave the
room a heartbeat. It marked the seconds that June
waited out by the window, and when the seconds slowed
she pushed them with her mind, but the harder she
pushed the slower they become. Then they stopped, and
the blue night looked to stretch on limitlessly.
June wondered what she ought to do. What was there to
do? She looked around the small room—a stove, a table,
a rifle standing in the corner, a basket of yarn by a
chair. She glanced back out the window. Maybe the sky
looked a little lighter…was that a movement behind that
oak tree? No. The sky was just as dark, and still
nobody appeared around the bend.
She thought of the amber marble. Where was it? In the
bag, probably. June lifted herself out of the chair
which creaked terribly at the movement. She felt stiff
and numb from her waist down to her feet. Shuffling
into the adjoining room, she lifted her bag from the
floor onto the bed. In a bottom corner of the bag she
found the marble, and closing her hand on it, she made
her way back to the window. The chair moaned again as
she sat down on it again. Holding the marble up in
front of the moon, it shone clear and clean as a glass
of iced tea.
Somehow, at that moment, everything changed again. The
clock didn’t start again, but she felt time take a step
forward. She could feel seconds ticking away
again. I got
it all right here; right here in my hand.
She didn’t
need to wait for Isaiah and Caleb anymore. June had
that marble; she held perfection in her hand, and she
lacked nothing.
.IV.
There in
the darkness, for a moment June Williams felt her
eyelids pressing on the tops of her eyes. They held
them and sheltered them. The eyelids were umbrellas
over her head, huge fleshy rooftops keeping the rain
from her eyes. She looked out from under them.
She stood under the roof which was supported by for
posts, one in each corner. The shelter was entirely
surrounded by woods. Oak trees made a canopy over the
low palmettos, stretching as far as she could see
through the heavy downpour. All the wood was alive;
each leaf and frond jumped with every raindrop that hit
it, so that everything was in motion. And yet it was
somehow peaceful. The rain roared softly, and yet the
whole scene was calm. Everything was still, and yet
everything moved a little all the time.
The rain ran off the corner of the roof in a little
stream. June reached out and let it splash in her hand,
and it smacked and splattered all over. The little
stream collected in the sand in a little depression,
then flowed in a small rivulet out into the woods. June
was walking beside this little creek, following it
downstream. A small path ran beside the creek as it
twisted around dark trees. The water ran through the
bottom of a little ravine, about four or five feet
across and about two feet deep. Roots stretched out
over the stream where it collected in black pools. In
several places, trees had fallen and lay across the
ravine, and June saw banana spiders had made webs
across the width of the ravine under the fallen trees.
She continued walking, and saw in the distance a break
in the trees. The stream ran black in the bottom of the
gully. Raindrops cast rapidly expanding circles all
over the surface, which crossed each other in ephemeral
criss-crossed patterns.
June had come to the end, where the stream met the bay.
It ran out into the open water, as gray as the sky
above. She stood on a dirt ledge, the rounded corner
where the stream met the bay. Over her head hung the
boughs of a huge magnolia tree that was all in bloom.
Pods with bright red seeds littered the ground among
the brown fallen leaves. She looked up at the branches.
Creamy magnolia blossoms filled the tree like white
doves among the deep green, glossy leaves. They were
falling...the big flowers came fluttering down, falling
into the water. The air filled with the sweet fragrance
of the falling blossoms. June watched as they sank
slowly, drifting out into the bay. One by one, they
succumbed to the dark water. Brown water rose over the
petals, and they looked dark and spoiled as they
disappeared into the bay.
It broke her heart to see these pure blossoms, these
creamy white doves fall and flutter into the water,
drift away and disappear. Tears welled up in her eyes,
and she wanted to cry out. What injustice that dark
water smothers such fragrance, that white petals are
stained so cruelly brown! She looked at the sky as if
to pray, and the clouds were gone, and the sun shone
bright and huge. June Williams looked down at the
water, looked behind her at the tree, then pitched
herself over the edge, into the water among the
drowning blossoms. She sank with them, and as the water
closed over her head, she looked up again and saw the
sun through the stained water. It glowed with the soft,
clear amber of Rose Bay. Everything was right again.
She sank with the beauties, in water filled with the
scent of magnolia flowers. All around her, the flowers
floated, suspended, and everything cast in that amber
brown, in the filtered sunlight. She filled her lungs
with the sweet water, floating there in the center of
her marble. And then she awoke.
June opened her eyes to a bright morning. Sunlight
streamed in through the window and fell across her
knees. She had fallen asleep in the chair, holding the
marble in her right hand. Mockingbirds called crazily
across the yard, and they day was bright yellow and
green. She sat there a while, letting the dream fade
slowly and taking the day in sips like hot tea. Slowly,
her eyes adjusted and her mind accepted the reality of
the morning over the dream. With one hand on the dining
table and the other on the window sill, June Williams
lifted herself out of her chair. She was sore and stiff
from sitting, so she just stood and watched morning
happening outside her window.
I bet heaven’s like that, she
thought. She always heard that with death came rest,
that dying was like falling asleep. June never believed
that, and now less than ever. Surely when a person
expires, they draw a last earthly breath, close their
earthly eyes, and in an instant, they awake to
something more real. They draw their first wakeful
breath, and their eyes adjust to the brightness of the
new morning. And gradually, their mind will accept that
their earthly life was less real; it was just a passing
dream, and they will accept the new, bright morning. A
new kind of mockingbird will call out in the yard, a
lovelier sun will cast life and light upon the earth,
and this life of dark waters and falling flowers will
seem dreamlike and distant in the new light.
I’ll tell Isaiah about that dream if he comes home
today, June
decided. He
should be coming home soon.
Circle
At the core
of everything we know and everything that is, there is
some central, unknowable mystery. Every piece of
knowledge I gain is based on a series of facts which
are based on a series of assumptions which are made in
an attempt to understand the world. For example, last
night, I sat across a table from my brother. I sat
there, wondering how it was that I knew I sat across
from him. There is his face, which I have learned
belongs to him. But what am I actually experiencing? I
do not actually see him; electricity, generated in a
plant, is piped into the restaurant, where it is run
through a filament that glows. It causes light to
reflect off his face and hit my eyes, which then send
an electrical impulse to my brain, which in turn
interprets the electrical signals into a “visual”
interpretation. I do not “see” him. My mind produces an
image based on light reflecting off of some
undefinable, invisible “essence” that is my brother.
Think of life as a room with screens displaying news
stories, biographies, and just general information
about the world. Imagine you were born in that room,
and you never left it. All you ever knew came through
those screens; all language, science, relational
skills, etc. all came through those screens. You can
think of your mind’s conception of the world like that
room, where the screens are the senses. All of the
information that you gain is made through assumptions
and connections based on what you have learned from
those screens, your senses. And although you have
likely come to somewhat accurate conclusions as to the
nature of your surroundings, you have no real evidence
that what you have concluded is an accurate
representation of absolute reality. And no such
evidence is possible. What follows from this point of
view is not a futile, solipsistic view, but rather an
appreciation for and an acceptance of whatever mystery
ties our consciousness to reality.
I believe this mystery pervades everything, from this
invisible force that ties us to our reality to
something more visible. I believe it is the
inexplicable personal magnetism of love; there is no
biological reason for selfless love. There is no reason
why two people should be tied together or why they
should feel they are extensions of one another. The
same force that ties our being to reality ties one
person to another. This central mystery is in
everything. It’s what holds the nucleus of an atom from
flying apart. It is the wordless oneness of marriage;
it is that the impossible injustice of forgiveness is
the greatest justice; or that death begets life.
I believe that this central mystery of the universe
becomes even more evident in our everyday lives. I
believe that the circle is the symbol of this mystery.
The circle is the symbol of perfection; it is
indicative of completion, wholeness, oneness, and
self-sufficiency. The circle is the basis of all
technology and mechanics. Cars, computers, and every
other technological advance is based on the circle.
Calculus, geometry, astronomy, biology, even history;
every area of knowledge has at its core cycles and
circles. It is reflected in every planet, star and
moon. Every drop of water forms a circle as it falls.
Every angle is defined as some degree of a full circle.
Despite the ubiquity of the circle, we cannot even
measure it. Pi, the central measurement of the central
shape that pervades the universe is impossible to
completely define. Again, we find that at the center of
everything we know and all of our life, resides this
untouchable mystery.
I believe that the circle is the symbol, or even the
embodiment, of that mystery. That mystery is the Truth.
It is the perfections of all things; the perfection of
love is the same as perfect truth. Perfect justice
becomes perfect love. When all these things are
extrapolated unto their perfection, they all become the
same thing. Love is truth, is justice, is logic, is
joy, is beauty, is goodness. And all of these things
are that Mystery. They are all the same thing, and they
are what the whole universe and everything else is all
about. They are
the
universe and everything else, and they are what it is
made for.
I believe that these things I just mentioned; love,
justice, joy, beauty, logic, goodness, perfection, and
glory are all the same thing in the end, and that that
one thing is something nameless, and any name that it
is given serves only to limit it. “Love” limits this
thing to only the aspect of it that is interpersonal
and involves emotions. “Justice” limits this thing to
those matters of fairness and law. I believe that all
these are descriptors for different aspects of this
thing, this thing that is embodied in the fullness and
wholeness of the circle. I believe most people call
this thing “God”.
I step out of my room, closing the rusted metal door quietly behind me, and sit on my chair under the overhanging roof. Save for the dark birds, the whole world is draped in a sleepy silence. It is that wonderful pearly hour between dawn and sunrise. The white buildings, muddy roads, all the little houses fields are cast in that pearly blue that makes every green thing seem to glow.
As I stand up and brush through the banana leaves, the dew splashes on me and all around like rain. It smells a little like rain, too—which is not to say that it has any definite scent, but rather that it tinges the air in such a way that vaguely evokes the idea. It smells cold and wet and earthy, but mostly it smells pure as earth, free of evils and pollutants. The grassy field between the bananas and the orange grove glows softly in the dim light, and each delicate strand is bowed over to hold its droplet of water. With every step, the cuffs of my pant legs become increasingly splattered with dew and grass seeds until they are soaked and feel heavy on my ankles.
The moment I step into the orange grove, I find myself in an entirely different place. Wading through knee-high grasses, I stand among round and stately orange trees on every side, everywhere I look. Each one is huge and still, heavy-laden with fruit. I move past these toward the back of the grove, where the bigger oranges grow on smaller trees. Here, I come to a tree no taller than I am. I reach inside and pluck out its heart, a round, unblemished orange big enough for a meal. I peel the rind off carefully and toss it under the tree. As I bite into the orange, I hear God speak.
Oh, what undiminished joy is mine! What purity of beauty is shown to me this morning, and to me alone! This is the voice of God—this life and this truth. It is no spoken word, no replica of life. It is life itself—the green of the grass, the marble-blue sky, the crystal dew and quiet trees—are these not pieces of God Himself?
I was made to walk in a garden like this and eat oranges all morning. I could do that for the rest of my life and only enjoy it more every day. This part of the world is too pure to be tainted by the fall of man. Nothing has to be killed. No one is cheated. An orange grove knows neither greed nor malice. Everything is easy, beautiful, and healthy here. The very air is a fragrance laced with orange blossoms, and the sky more artful than any artists’ imaginings. Surely no purer earthly joy than this exists, to walk through the orange grove on a quiet morning. God is in the oranges.
Too many people pretend that life’s just a party; that nothing matters because we are always somewhere between sober and inebriated; that we don’t know anything because nothing is really knowable, and we’ll figure it out when we get there. Life’s not a party, but it’s no funeral either. It’s not a contest, a masquerade, or a bullfight. There’s no place for personal advancement and selfishness, false faces or machismo. It’ll all end too fast, and we are all too insignificant for any of these things to be meaningful.
Every burning anger was ignited by a spark of pain. Every cruel action is the result of a deep or personal hurt. There are no mean people in the world, only people who were damaged and their method of fixing the hurt damages others.
Love is the greatest mystery in the world. There is no scientific explanation for it and no definition of it. I would argue that there is nothing in the world for which the demand is higher and the apparent supply is lower, making love the most valuable thing in the world.
Sometimes, two opposites are so extremely opposite they begin to look the same. Someting that is -100º F will burn your hand the same as something that’s 300º. A lot of people couldn’t tell the difference between facism and communism, which are at opposite ends of the political spectrum. Sometimes pain and beauty break your heart just the same way. East meets West on the opposite side of the world from wherever you are.
Racism is based on imagined, non-existent cultural diffences. And these imagined differences, when confirmed in the minds of the masses, convert themselves into real differences. But in the end, all people have the same wants and needs; each culture is smart and stupid and efficient and wasteful in its own way. You’ll find every kind of people everywhere you go. Whatever kind of people you know right now, you’d find that kind of people wherever you might go.
The best a man can do is to enjoy his work, to find and appreciate the beautiful and happy things, to live honestly and to live with integrity.
I made no attempt to remember where I was, what the day was, what I was supposed to be doing. I just took a moment to enjoy the novelty of the situation. Heated air blew into my face, across my ears and across my hands. The cold air outside the car touched my face or hand in the irregularities of the heater, and I just sat. My head hummed comfortably, my vision moved and refocused as it does when the mind is exhausted, and I was warm in my thick poncho. My hands felt like they were in warm water, and nothing crossed my mind.
A big red SUV pulled up next to me and fell silent as three men stepped out. They watched me, and I them, as they crossed into the lighted building to my left. The third man walked slower, preoccupied with removing a beige-tipped cigarette from the box. Big windows cast big, distorted squares in orange light on the pavement in front of the building. Darkened areas in the squares that represented the three men moved and then faded as they moved away from the front of the building.
“Jactar. Jactar. Jactando. Jacto.” The word kept running through my mind, like the sound of a dripping faucet. I was whispering it out loud. “Why am I saying this word?” I thought, as my mouth continued speaking the word. What does it mean? It’s when you do something that you are proud of, and you tell somebody about it. I couldn’t remember what the other word was, if there was such a word. Then it occurred to me, “to brag.” Now why was I repeating the word for “brag”?
I wondered how long I had sat there. I still hadn’t moved a muscle except for my eyes and my mouth.. My eyes now moved to the clock, which read 10:46. What was I doing, parked in front of this building at almost 11 o’clock? The thought occurred to me that the universe had just begun. Maybe, the universe was created just seconds ago, and I was created sitting in a car in front of a building at night with the heated air blowing on my face, repeating the word "jactar. Maybe I was created with memories that would unlock as soon as something sparked them, and over time I would come to believe that the universe really had existed for all of time, not just for three minutes. I was mulling over this possibility, that I was created just moments ago, when I was interrupted.
A man with a round head, wearing a dirty apron hurriedly stalked out of the building and passed to my driver side window. I recognized the man. He triggered a memory: I had ordered food from him not 10 minutes before. He explained that they were out of tortas, but he could make me tacos if I wanted. I told him that would be fine. Another memory occurred: I was speaking Spanish. The man was speaking Spanish. I am in Mexico, and I live in an apartment in Arteaga. Piece by piece, my world began to come together. I lived in Florida. I have friends that go to UF. I have homework tonight, which is why I’m out getting dinner at this hour. I’m going home in two weeks. I had looked up a word called “jactar” earlier today, after reading it in a book.
The adjoining building, which was slightly behind me, was covered in shadow. But in the cracks around the door, the hole near the roof, and all the apertures of the building, white light burst out. It flickered and flashed, solid shafts that jutted out of the cracks, bright and quick as lightning. It looked like all of a thunderstorm’s fury packed into one room, trying to burst out the seams. But no noise emanated from the building, only silent light. Again the man with the round head and rushed gait appeared and walked toward my car. This time he had two white bags.
He brought me my tacos, and I paid him and pulled out in front of a car that honked at me and swerved. “This is ridiculous. Doesn’t he know that two minutes ago, he didn’t exist?” I recognized the intersection, and chose the correct road. In my mind, I traced in my memory the road home: past the college, over two speed bumps, past the section where the road narrows, around two curves, one more light, a low spot, a median, the plaza, a shadowy tree by a white outdoor light, my house. And when I walked in the door, I sat down and wrote this.
Once I was translating something from English to Spanish, and somebody who knew a little Spanish was also listening in. This person knew only enough Spanish to make a nuisance of herself, because she still had the idea that a non-literal translation was an incorrect translation. She noted this to me, and I hadn't the time to inform her and explain exactly why attempting a literal translation of anything not only requires a misunderstanding of the aforementioned fundamental purpose of language, but is also quite an impossible pursuit. I will now address why literal translations into another language are not simply difficult, but non-existent.
Take this sentence: "Right off the bat, before I got a chance to stop him, he started singing at the top of his lungs...".
Now, this sentence is very easy to understand of any native English-speaker. But there are a few difficult points for anyone not familiar with English slang: "right off the bat", if translated, would make absolutely no sense. "Got a chance" is also another difficult point, because "got" literally would be translated "obtained", and "got a chance" wouldn't make sense. The same with "at the top of his lungs". To translate this sentence such that it could be understood, I would have to change it to the following:
"Immediately, before I had an opportunity to stop him, he began to sing as loud as he could."
This sentence means, in terms of denotation, exactly the same thing. However, "right off the bat" is very informal and gives the line a humorous connotation. "Before I got a chance" implies that the speaker was actively trying to shut this guy up but was unable to do so, while "had an opportunity" sounds very passive. "As loud as he could" doesn't carry quite the mental picture as "at the top of his lungs", again connoting humor. Now, if there existed an idiomatic expression for "right off the bat", I would use it, assuming it carried the same connotation and denotation. It would be the most accurate and useful translation, but would not be literal. Unfortunately, no such expression exists, so you have to go with the denoted meaning. This is my first point: both formal and informal speech in any language is so filled with untranslatable idiomatic expressions, that only a non-literal equivalent will most accurately suffice.
Furthermore, the textbook translations most often are inaccurate. My Spanish book taught me that "to forget" translates "olvidar". For example, if I wanted to say, "I forgot that it was your birthday", I would say, "Se me olvidó que era tu cumpleaños." However, in the Spanish translation, the subject is an implied "it", "that it was your birthday" is the direct object, and the reflexive pronoun "me" makes the speaker the indirect object. Another reflexive "se" turns the action of the verb "olvidó" back onto the subject "(implied) it". The verb is the third person singular past tense...meaning a literal translation from Spanish back to English would be something like this:
"It forgot itself to me that it was your birthday."
"It (implied) forgot itself (Se...olvidó ) to me (me) that it was your birthday (que era tu cumpleaños.)."
Obviously, "forgot" cannot be correctly used in this way. A better English translation would be "It escaped me...", but that carries obvious incorrect connotations. As you can see, a literal translation is impossible, simply because no such word exists in Spanish.
Similar difficulties are presented in nearly every sentence, especially because in Spanish the reflexive pronoun is so prevalent, while it is absent in English. Another difficulty is even words that translate fairly literally, like "to take" and "llevar", are not always used similarly. If you take a pill, you use "tomar". If you take a turn in a car, you use "dar una vuelta" ("to give a turn"). You use "llevar" as "to wear" when discussing clothing, "to have" when discussing things like accent marks, age differences, etc. The word "feo" which literally translates "ugly" is commonly used to describe weather, health, situations, music, or anything for which in English we would use "bad". I could go on and on, because the examples are as numerous all the words in the languages.
Every single word carries connotations: jokes based on the words, similarity in sound or form to other words, common usages for the purpose of humor, offense, vulgarity, etc., and life experiences all change the meaning of each word for each person. When you say a word, it will inspire slightly different ideas and feelings in anybody else, and therefore it means something different to everybody else. The best we can do is take our differences into consideration, and choose words and phrasing such that, in our best judgment, the hearer as closely as possible understands the ideas and feelings that the words are trying to express. Not only is it impractical to attempt to translate "literally", but it is also impossible two completely understand the intended meaning between to native speakers of a single language.
“BEEP! BEEP! BEEP! BEEP! BEEP!” My hand pounded the top of my alarm clock and curse words immediately leapt into my mind. I wanted to break it. I tried to open my eyes but they burned and watered like they do when I don’t get enough sleep. It was dark in my room, but through the spaces in the blinds I could see a hint of blue beginning to seep into the sky. I was angry at everything. I wanted to stay sleeping, and I promised myself I’d sleep through ever period and then take a nap after school. I only got three hours of sleep anyway, and that was the fault of Mr. Crile who obviously doesn’t know how much is too much homework. I didn’t do it anyway, but I did stay up until 3:00 because I thought about doing it.
I have a problem with reality. When I am asleep, the idea that there is a reality more real than the current one is ridiculous. It doesn’t even enter my mind most of the time. When I am awake, I believe that the dream world was not real. Two minutes ago, I fully believed that I was in Costa Rica. Now, I fully believe I am at home and quickly becoming late for school. So how do I know which is true? Today, I choose to believe that my awake world isn’t real. I prefer my dream world.
But I cannot fully convince myself that my awake world is just my imagination, so I’ll play along. I begrudgingly put a different shirt on. I take off my jeans, smell them, decide they are still clean, and then put them back on. They have lasted more than a week. I must be really clean or something. I put some water on my hair and get a piece of gum from my pocket. Walking out into the living room, I see that Kaitlin and Kyle are both ready and waiting to go, so we all get into my white Subaru. It smells like the seaweed, except a little worse. I’m seriously sick of this smell. It reminds me of school. Pulling out, I turn on the hot air to clear the windshield, and wave good-bye to Mom.
No one is talking, but I’m still in a bad mood so I don’t put on any music or news radio. Something in me wants Kaitlin and Kyle to have to suffer a little bit, too. The car ride is uneventful, and I am so tired I don’t remember anything of it by the time we arrive at school. We are late, and nobody is talking outside. It is all empty, and makes me regret even more that I will be spending the next seven and a half hours inside under fluorescent lights, doing things I’ll forget about within a year. Over the roof of the school, the dawn sky is the pink I saw on the crab shell. The woods on the other side of the parking lot are bathed in a pale light and I imagine how much I would rather spend all day sitting in those woods than in school. Patches of fog drift over the street in front of the trees, and I swear at the school under my breath. Saying swear words to myself helps me deal with things I hate.
The palm of my hand punches into the wired glass in the window of the entrance door and it swings open. The whole entrance is painted an obnoxious orange, and the floors are ugly, once-white tiles with black marks that look like scuffs from shoes. I find my way to my history class and push the door open. “Hello, Mr. Altes”, Mr. Crile greets me and all eyes flash my direction.
“Morning”, I respond. I really like Mr. Crile. He is one of my favorite teacher and he’s a good guy to have first period. All of the eyes follow me to my desk at the back of the room, where they leave me and go back to their desks. Mr. Crile is talking about the Cold War and a Russian name that probably should hold some significance to me. He turns on the slide projector and goes to turn out the lights. Bad idea, Mr. Crile. As soon as the darkness fills the classroom, I fold my arms on my desk and lay my head down. I’m going back to my dreams. I hear Mr. Crile remind the class that we are having a test on this information this Friday. I figure that means it’s important enough to remember, so I dog-ear the page. But it won’t stay folded, and the dog-ear keeps righting itself. On the page, the picture in the middle is Mr. Crile standing in the darkness in front of his projector. As he speaks, the words are typed onto the page, which is by now almost full. I keep trying to dog-ear it, and the I have to turn the page. It still won’t stay down, so I just look at the page number, 33, and tell myself to remember it. I close the book and start towards the door, but the truck hits a bump and I drop all my books. The back of the moving truck is dark and stuffy, but it’s always fun because you get to lay on the couches and pretend like it’s all permanent. The truck begins to stop, and in a moment the garage-style door is opened.
“Well, git on out!” The mustachioed man drawls. As I step onto the ramp, my head and arms start to fall forward. My heart begins to race, and my whole body is starting to fall...
I catch myself just before my head hits my desk. My book is on the ground, the room is still dark, and Mr. Crile seems to be finishing. The blessed bell breaks the darkness and everybody starts putting books in bags and filing notes.
We all file out and I head to my car. I get in and I turn the ignition. I pull out so quickly that the wheels squeak, and I push towards the entrance. Nobody guards the gate until about half-way through second period, and I am confident that my day will be better spent elsewhere.
To be continued...
For a long time I lamented killing mystery. I had learned about surface tension, aquifers, and “states of lesser consciousness”. I read the field guides and knew what animals I could expect to find and where to find them. And when I went to those places that once held so much mystery I found out that it was true; it was all written down and understood. When you bring something into understanding and you lay it down and draw it out, you kill the mystery; and when the mystery goes, there’s not much value left. Mystery is what makes the difference between something wonderful and something mundane.
I have a place that is mine alone, where no one else ever goes. I went their yesterday because I like the silence.
From a distance it looks like a wrinkle in the mountains, but from inside it is a series of ridges, sharp drops and canyons that break all the way through the mountain chain. My car will take me almost to the foothills, and from there I go on foot. The moment my engine stops and I open the door, I am enveloped in quiet. There are no trees to give voice to the breeze, and the scratchy bushes are all low and tough. They are thin and tight like messes of rusty barbed-wire, and quite nearly as prickly. My trail starts down into a little canyon that probably fills with water when the rains pour down on the mountains. The bottom is made of gray rocks that sound like pool balls clacking together when I kick them. I follow a little goat-trail out of the canyon and continue along the far side side where the ground begins to slope towards the ravine. There are plants that resemble aloes that have points so sharp, they will go through my jeans and leather boots at the slightest touch. The ground is covered with these and little tufts of brown grass that can hold a footprint for days. The round grasses will stay crushed or bent long enough for me to find my own path again for as long as a week. Little thorny bushes are scattered around, often housing grasshoppers and marking jackrabbit hide-outs. Two Joshua trees stand side-by-side in the distance and I use these as markers. From where I begin, I can draw a straight line through those Joshua trees to the top of the first significant hill.
Before I get to the Joshua trees, I have to cross several deeper gullies. Low areas hold thickets of head-high thorn bushes that tore my t-shirt apart the first time I came here, so now I wear my denim jacket. After this series of ravines and thickets and flat land, I come to the Joshua trees. They stand on the base of the hill the turns into a ridge running the entire length of the “wrinkle” through the mountains. This ridge cuts what would be a single valley through the mountain chain into two smaller valleys which fall off sharply on both sides. The first time I came here, I went into the valley on the east side of the ridge, and tried to make my way up the side of the ridge but it was impossible. It was just too steep.
The slope up to the top of the ridge is long and tiring. The grade is gradual enough to allow me to ascend without any climbing, but it is wearing. It is about a mile from the Joshua trees to the top, or maybe a little more. When I had just about got to the top, I sat down on a flat rock to eat the strawberries and sandwich that I had brought. The loudest, most audacious flies I have ever known buzzed in circles around me, landing every once in a while on my food or on my face. I slapped myself pretty severely several times. I tossed a piece of bread to the side and piled the strawberry tops on it and the flies found that and left me alone. From where I sat, I could identify a large building within a block of my house. I could see my entire town, and I could follow the highway from my town all the way into Saltillo, past San Isidro and then where it connected with the highway that runs out to Monterrey. Near my feet a highway of ants ran from a clump of moss that puffed out a hole in my rock to another crack several inches away. It occurred to me that right now, that line of ants is more relevant to me than the highway. I gave them a bruised strawberry and got up. I was almost to the top of the ridge. At my first step, a brown bird that looked like a whippoorwill exploded out from the base of a barrel cactus in a frenzy of flapping and beating wings, startling me considerably. It whirred as it beat its wings and dropped over the side of the ridge, into the canyon. I walked to the cactus and found a little nest of dirt dug against the leeward side. The floor was littered with yellow butterfly wings.
I reached the top of the ridge, and was greeted by the freezing wind from the other side of the mountain. I found a place where I could put my back against a rock wall, and a short tree with green leaves made a roof. The ground was a single, solid piece of rock, and the tree was growing straight out of it. I collected the half-leaves of dead Joshua trees for fire starters, and made a little fire to stay warm. The sun was going down in a display of dark clouds set over a red orange glow, and I collected more fuel for my fire. The air was getting colder as quickly as it was getting darker. I listened to coyotes make their wild cries in the valleys as the orange lights in the city began to come on.
Before long, darkness had covered the valley in which the city sat, and the thousands of points of light shone piercingly and sharp. From up here, it is a whole sea of lights that flows and moves. White stars above me were reflected in the sea of lights below me. The moon began to rise and cast the whole scene in a pale light. It lit a halo of clouds on the east horizon, proving that they had not left with the sun.
But I could not bring myself to take a picture of any of it. If I did, I would have killed something; if I had documented it, I would have killed the mystery.
The freezing air fills my lungs in raspy breaths while my feet struggle against my bicycle pedals. I have never understood why cold air always causes my breathing to sound so harsh like this. It makes it hurt, too. It feels like I am overfilling my lungs like balloons filled too much, stretched too thin.
The night is so dark. It’s so cold and clear, I’d love to be sitting somewhere with a jacket, drinking something hot or in a car driving with the windows down and heater roaring. But I’m struggling up a hill in a t-shirt, and I’m shivering despite the physical exertion. And my breath is raspy and painful, and I hate that feeling. It reminds me of my track class when we used to have to run so far on those cold days and my lungs burned like this back then, too.
In my head I make plans for the night. I want to eat something really good, and tonight I’m willing to pay for the expensive tacos. I’ll go to Checo’s. I need to find some money somewhere, because I think I’m out. I want to listen to music too and put a jacket on. And then I’ll read a John Steinbeck book. I also need groceries and chapstick, but it’s almost 11 and I don’t remember if the grocery store is open this late. I realize that this is far too much to begin at 11. I’ll see what I feel like doing when I get home.
I have almost reached the top of the hill. It’s leveling out now and the strokes of my pedals are increasingly lighter. Across the street in the plaza a young girl is walking arm in arm with a man who I take to be her father. She’s probably about 10 years old. The father isn’t walking quite right…it takes me a moment to realize that he is blind. An even younger child of less than 5 years of age follows behind the pair. As they pass under the yellow streetlight, the man’s foot finds a spot where a brick in the sidewalk is missing, and he stumbles. He falls to his knees and then falls on his side. His face wears an expression that you don’t see often in everyday life. It is lit and by the light above him, and the man looks scared. His brow is furrowed in something like disappointment or anger, but there is pain there too. I move towards them as the child is futilely pulling on his arm. He lives his whole life like this, I realize. This isn’t just tonight. Not just today, or this week. This is his life.
My bike clatters to the curb, and the smallest child startles. I apologized for scaring her as her wide eyes searched me, and I asked the older daughter to excuse my interruption of her efforts. She stepped back, also staring at me with obvious surprise that looked more like fear. The man moved on the ground but could not lift himself. I hate looking so different, that everyone I speak to is left speechless. Why can’t they see that I’m just the same? I place my arms under the blind man’s, and count to three. On three I lift him to his feet, but all of his meager weight is still on my arms. I hold him there and wait as he finds his feet under him. The daughters watch in awe or fright, on the edge of where the light falls. The man takes his weight upon his feet, while he turns slowly towards me. I am still holding him steady, and he moves with every movement I make with my arms. He still isn’t balancing on his own. With both hands, he holds my arm as his clouded eyes search in their darkness for my face. He is maybe 40 or 50 years old, but I am looking into an old man’s eyes. He is worn and tired; this life has used him up too fast.
I ask if he is alright, and as he replies that he is the daughter comes and takes his arm again. She turns him, watching me still with something like suspicion as they slowly begin to walk away. I return to the darkness where my bike lay on the curb, and as lift it I hear an old man’s voice weakly break the silence: “Dios le bendiga.”
Standing
in the bed of a pickup truck, the wind howls in your
ears and deafens you. With your head in the wind it
feels like you are submerging your head in a
fast-flowing river, and the air tastes like water.
We watched as clouds rolled over the eternal mountains
and poured rain down on the distant slopes. The setting
sun through the rain and the clouds bloomed into a
fiery sunset before night overtook us. It was solemn
and beautiful. The word “timeless” kept coming to mind.
We watched it in silence. The Olmecs had watched the
same thing unfold when they lived in this jungle, and
it inspired their pyramids. I don’t care what reasons
scientists and anthropologists may give us for as to
why they made those impossible feats of manpower and
engineering. They made them because they saw those
mountains; they saw the timelessness in them. The
pyramids are a race’s reaching for immortality, and
they got close.
After the smoldering sun had sunk below the farthest
mountain, the jungle began to speak. Everywhere I have
been there is a different noise at night, whether it is
crickets, or the silence broken by the crashing of
ocean waves, or even just the way cars sound when they
pass. But here, the jungle screams at you. It is all of
the animals, all at once, shouting just as loud as they
can. It is overwhelming. You fly by sections where
insects scratch a rhythm into the air, or other times
you pass parts where you hear mostly whistling birds or
screaming cats. I haven’t any idea what made most of
the noises. But it was the soundtrack to our ride, and
it made it wild. The truck weaved through the winding
roads, dodging the vines that reached down and snatched
at us. We shouted as kamikaze beetles ruptured on our
faces. The air through which we passed was not the
clear, thin substance that we are used to. It had a
color, and it had weight. It was opaque, jet black and
thick with humidity and various flying insects.
Standing in the bed with our hands steadying us on the
cab, the only thing that pierced the black air was the
light of the headlights, and even that was choked out
and smothered by darkness before it got 25 feet from
the car.
When we got closer into the city and the driver slowed
down, the wind and jungle also became quieter. We began
to pass stores and houses. Aaron and I whistled at the
groups of kids talking in the cones of yellow light
under street-lamps. Sometimes they shouting things at
us and we shouted back but we didn’t know what they
were saying.
It is easy
to point to the evils done in other generations while
we sit behind our history books pointing with an
accusing finger, shouting "Shame!" It is too easy not
to disassociate ourselves from it, not to think that we
are better. "Surely I would have stood up for what I
know is right," we assure one another. "Surely I would
have taken a bullet for my beliefs."
But would you? We can all say "Yes", and we can all
believe that we would, but so could the Germans of that
age if they had our place. If the generations were
switched, and the German youth of 1920's and 30's were
my generation and my generation grew up in the 20's and
30's in that defeated country, seething in pain and
looking for an outlet, I don't believe anything would
be any different. Me and my friends would be the Nazis,
and they would be living now, reading about our
atrocities in their history classes, shaking their
heads in disapproval. My generation is not above being
equally as deceived. My generation is not above
depravity. Neither am I. I am capable of any evil that
any other human is capable of. There is the same bent
in all of us.
It's so easy to deny; it's so easy to say, "Evan, you
are wrong here. I wouldn't rape somebody. I wouldn't
kill an innocent person." If you experienced what the
rapist had experienced and had grown up in his place, I
daresay you'd do the same thing. If you had grown up in
the place of whatever murderer; if you were tormented
by the same demons and suffered the same abuses, if you
felt the same needs, you would have been the murderer.
I am in no way calling for our sympathy towards
murderers and rapists. I am in no way saying that these
things are permissible or forgivable because it could
have been any one of us. No, I'm condemning the whole
lot of us. We cannot save us from ourselves.
I am the Nazi holding a machine gun to a mother's head.
I am the Roman soldier pounding nails into the
Heretic's hands. I am the fanatic who ran a passenger
jet into the World Trade Center. I am Saddam Hussein
and George W. Bush. I am a human, and if God can
forgive these evils of which I am capable and
responsible, it's certainly not because I deserve it.
After
the Fall, by Arthur
Miller
Act
One
Quentin: [Considering a concentration camp] This is not
some crazy aberration of human nature to me. I can
easily see the perfectly normal contractors and their
cigars, the carpenters, plumbers, sitting at ease over
their lunch pails; I can see them laying the pipes to
run the blood out of this mansion; good fathers,
devoted sons, grateful
that someone else will die, not they, and how can one
understand that, if one is innocent? If somewhere in
one's soul there is no accomplice-of that joy, that
joy, that joy when a burden dies...and leaves you
safe?"
"N'ombre...paraguas son para mujeres." I responded, pouring as much jocularity into the statement as I could so he knew it was a joke. I put one foot on the bar below the basket of my cart. I am confident that there is only one purpose for that bar, and that purpose is the one for which I was about to use it. I stood with one foot on that bar and kicked down the ramp of into the parking lot, pushing along skateboard-style, hooting like a madman. I sailed down the ramp and splashed into a puddle, barely skating between two cars that were passing in front of the store. The car in front of whom I passed honked, either because he wished he could join in my fun or because he wanted to make me aware of my recklessness. I felt cold water creeping into my shoes and through my socks. The cart flew, its wheels clattering raucously on the pavement. In an instant my shirt was soaked and clung to my skin. Water dripped from my hair and ran down my nose and off my chin. I could hear the small crowd that had gathered under the overhang of the grocery for fear of the rain laughing behind me. I was quickly approaching my car, and I put a foot down and the cart slid into a 180 turn, stopping right behind my car. I looked like a professional cart-rider. I put my groceries in my trunk and walked back to the store, because I forgot to buy vanilla extract. Lucho met me at the door and informed me that I was insane.
After I had got the vanilla I returned to my car. I pulled out of the parking lot onto Echeverría, which is the periférico. The rain had brought a river down from the mountains and it ran through the street, maybe about a foot deep and flowing fast enough to cause rapids around the turns and over speed bumps. I drove along in this, and I came around a turn and saw that the river deepened. The several cars that were behind me were obviously depending on my judgement for as to whether or not we could ford it. I am a go-getter. I went for it.
I saw where the water came to on the telephone pole, and I knew it was probably a stupid thing to do. But I was having a good time and nothing could dampen my spirits. The water continued rising, and my car was having trouble breathing. Two of the cars behind me had stopped. I was still going as fast as my car could, but that speed was quickly diminishing. My car choked. "Come on, man. Don't leave me here...don't leave me like this!" I pretended I was in a movie and my car was my dying father. "Come on! You can make it!" I said through clenched teeth. I am a good actor and my body believed the feigned emotions, and a tear came to my eye. But it was to no avail. My car choked again, and breathed its last. In its dying breath it filled its lungs with the muddy water, and I felt its spirit pass. It was gone.
I tried the ignition like a defibrillator. The shock made its body jump and choke, but I could not bring it back. I released the key, my battery kicked the CD player back on, and Aaron Weiss sang my favorite line, "We're like two pennies on the train track, the train crushed into one." A semi truck barreled down the street towards me, and it hit the puddle hard. It